Welcome to the show notes for Episode #1 of The Other Side Of The Bell. In this episode we interview Australian trumpet player Paul Panichi, Bob Reeves shares some great stories on Hollywood legend John Audino, and John Snell gives you 9 Tips to help out your trumpet playing in 2013.
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An Interview with Paul Panichi
Paul Panichi is one of Australia’s top Lead trumpet players and over the past thirty years has played for major Television shows like Australian Idol and the Music Max Session featuring Michael Buble. He has extensive theatre and recording credits and has also recorded on the soundtracks for major films such as Strictly Ballroom, Moulin Rouge and Australia.
Paul has a CV boasting concerts and tours with some of the world’s biggest artists including Frank Sinatra, Barbara Streisand, Liza Minneli, Sammy Davis Junior, Michael Buble, Shirley Bassey, Al Jarreau and Peter Allen along with Asian artists Joey Yung, Khalil Fong, Jenny Tseng, George Lam, Rubber Band and Chris Wong.
Since 2004 Paul has divided his time working between Sydney and Hong Kong and as a result has performed and toured with some of the biggest artists in Asia culminating in the 2007 world tour of Hong Kong Superstar Jacky Cheung.
Paul talks about how he got his career started and how it has evolved with the music industry through the years. He also shares some valuable insights about both trumpet playing and the music business. It was a real pleasure to get to sit down and talk with Paul about his trumpet experiences.
Recap of the 9 Tips:
1. Restarts are Okay!
2. Back to Fundamentals.
3. Clean Your Trumpet & Mouthpiece.
4. Have Fun!
5. Take a Lesson.
6. Get Together With Others.
7. Set Goals.
8. Listen, listen, listen!
A big thanks to Howie Shear for letting us use his tune “A Room With A View” from his album Bopliography as our intro music. Thanks also to Phil Jordan for his wonderful logo artwork. Finally, a special thanks to Preston at Shepard Creative Soundlabs for making our podcast sound so good!
We Want To Hear From You
What tips to do you have to share to other trumpet players to help take their playing to the next level in 2013? Please leave your tips in the comments section below!
Here at Bob Reeves Brass Mouthpieces we provide many services and products that can improve the playability of your trumpet, including the most popular professional trumpet model, the Bach Stradivarius. Over Bob’s forty-five plus years of experience, he has found that these methods create real and immediately perceptible results.
1) Clean your trumpet and keep it that way!
If yesterday’s tacos and last Monday’s cheeseburger are still in your trumpet, they’re not helping you play better. An acid wash, or chemical cleaning, like our Premium Service acid wash removes all the gunk built up inside your trumpet. Part of our service also includes brushing out the inside of the entire body and slides of your trumpet, and the exterior brass legs of your slides. When your horn is clean inside and outside, we then lubricate all the slides and valves, getting the instrument into ready to play condition.
Once your instrument is cleaned out, you need to keep it that way to keep it playing consistently. For decades we have sold our Leadpipe Swabs to trumpet players, instructing them to swab out their horns at the end of each playing day. Our swabs remove the moisture and food particles from your leadpipe, stopping them from getting further into your horn, causing build up on the interior of your horn.
Another product we now offer to players is Blow Dry Brass. Blow Dry Brass is designed to be used on a cleaned brass instrument, drying out the inside with alcohol loaded foam BIT’s. The foam BIT’s are blown through the instrument, removing moisture, and the residual alcohol then drys out the inside of your horn, keeping it clean from day to day.
2) Bring your horn in for a Bob Reeves Valve Alignment!
Every horn manufactured today needs a valve alignment. Your 1960s Olds Ambassador, your early Elkhart Bach Strad, even your $30,000+ decorated Monette PRANA has misaligned valves. Not only will our valve alignment improve the way your horn plays, but it will keep it consistent from day to day. Bob first discovered the valve alignment working with top studio musicians after he opened his shop in Hollywood. These musicians would come into Bob’s shop complaining about consistency issues, and, knowing that the players weren’t changing, he looked to the instrument. When he aligned their valves, their equipment hunts would end. They no longer needed to play to how the trumpet was aligned each and every day, and had much more direction concerning improvements to their setup.
3) Find the gap that works for you!
Once you’ve had your valves aligned, you can really start making your equipment work for you. After a valve alignment, many players find it possible to play on a more efficient mouthpiece than previously. While a complete mouthpiece change may be deemed unnecessary, many players find it beneficial to “dial in the gap”. Our sleeve system allows the player to experiment with the gap, allowing them to find the correct gap that works for the trumpet, mouthpiece, and — most importantly — the player. Converting for sleeves also allows you to use one mouthpiece in two horns with the correct gap on both instruments. Not all trumpets are the same and not all mouthpiece receivers are the same; this is why the gap must be discovered on each individual instrument you play.
Now that you have your horn cleaned, your valves aligned, and your gap dialed in, (or you just want a quick experiment) Bob Reeves Brass offers two products that improve the slotting of your trumpet. The Cylinder Reinforcer and Receiver Ring both work in similar ways. The receiver ring is a small silver plated ring that fit onto the hexagonal end of your Bach’s receiver, while the cylinder reinforcer, on a Bach trumpet, is a replacement bottom valve cap. Neither of these accessories cause a dampening affect to your trumpet, they instead solidify points on the instrument, preventing the loss of energy that you put into it. The junction between the mouthpiece and the receiver is a point where energy is commonly lost, but a receiver ring will solidify that junction, allowing the energy to continue through the horn. In the same way, the bottom of the third valve casing is a location where energy is lost, but the cylinder reinforcer prevents that dissipation.Now that your trumpet is in it’s best playing condition, you can focus more on playing the music, so go and have fun!