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Paul Litteral Trumpet Interview – The Other Side of the Bell #92

Paul Litteral – Trumpet Interview

Paul Litteral Trumpet Podcast Logo

Welcome to the show notes for Episode #92 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeter Paul Litteral.

Listen to or download the episode below:

About Paul Litteral

Paul Litteral was born and raised in Western Kentucky and by the fifth grade he knew that he was going to play the trumpet.  After high school, he wanted to play in the Naval School of Music, so he auditioned, was accepted, and then enlisted in the Navy.  After some time in Virginia, he was invited to join the band at the duty station in New York City and, when the Navy consolidated its bands at the War College in Rhode Island, he moved there. Having completed his four year tour of duty, Paul left the Navy and returned to New York.

Hollywood Paul Litteral with the Uptown Horns

“Hollywood” Paul Litteral with the Uptown Horns

In New York, Paul gained experience and began to build his career, playing in Broadway hits such as The Best Little Whorehouse in Texas, A Chorus Line and Chess.  In 1978, Paul and saxophonist Arno Hecht founded the well-known group called The Uptown Horns. As their visibility increased, the band was recruited for rock and roll gigs and played many of New York’s most famous clubs.  Paul and the Uptown Horns went on their first rock and roll tour with the J. Geils Band in 1981 and that led to many other opportunities including engagements with The Rolling Stones, Robert Plant, Tom Waits, Joe Cocker, James Brown, Pat Benatar, and Ray Charles. The band lists recording credits on over 150 albums including James Brown’s Grammy Award winning “Living in America” and tracks for Joe Cocker, Albert Collins, Bonnie Raitt, Robert Palmer, Lou Reed and REM.

 Paul remained based in New York City for about thirty years, but eventually felt that he was ready for a change of scenery. The producers from the group Unwrapped, who  were signed to Hidden Records (Michael  Jordan’s Label), contacted Paul to see if he would be interested in  coming to Los Angeles to work on their new record and do some touring. The relationship led to doing three more records together and Paul deciding to permanently relocate to LA.

In addition to continuing to play music, he began writing and found critical success with Hoboken to Hollywood, which earned him the 2011 Ovation award for Musical Direction. Paul was also awarded Best Musical Direction by Stage Scene LA for Louis & Keely: ‘Live’ at the Sahara, which had a record run, playing to sold out audiences at the Geffen Playhouse. His work in Los Angeles earned him the nickname “Hollywood Paul”.

Currently, Paul is playing trumpet and flugelhorn with Angela O’Neill and the Outrageous8. Angela founded the band in 2016 and Paul is one of the original members.  He plays a Maxx II trumpet designed by Charles Colin and manufactured by Kanstul Company.  When he wants a darker, lower tone, he switches over to flugelhorn, a perfect choice for ballads and medium tempo tunes.  His flugelhorn is a Custom Z from Yamaha. Even though he toured much of the world while playing with the Uptown Horns, he still enjoys travel and particularly wants to spend time in Italy, Spain and Ireland.  When taking a break from playing music and writing, he enjoys freshwater fishing, primarily as a catch and release fisherman.  Asked about favorite foods, Paul’s tastes are eclectic—he likes Asian and Indian cuisine but also loves a great steak.

Paul Litteral Links

Podcast Credits

INTRODUCING The Dan Rosenboom Signature Model Trumpet Mouthpiece

The Boom Trumpet Mouthpiece

We are excited to announce the Dan Rosenboom Signature Model trumpet mouthpiece. The “Boom” trumpet mouthpiece combines the artistry of Dan Rosenboom with the acoustical design and manufacturing of Bob Reeves Brass. After months of design, testing, and revisions, we have created a mouthpiece that responds so quickly, you forget it is there.

“With the Boom mouthpiece, the Bob Reeves team has achieved a fantastic blend of warmth, clarity, flexibility, precision, and versatility. The modern trumpet player is expected to move seamlessly through a variety of styles and contexts, and this mouthpiece offers a huge range of sonic possibilities with very efficient and consistent response. I think we’ve arrived at a design that gives a player maximum creative flexibility and is a joy to play!”

Dan Rosenboom

BOOM TRUMPET MOUTHPIECE SPECIFICATIONS

RIM

The BOOM trumpet mouthpiece is available with any of the Bob Reeves Brass rims. Dan’s personal mouthpiece is made using our Classical Series 6C rim.

Cup

The Boom mouthpiece features a medium-deep, conical shaped cup with a modified entrance to the throat.

Backbore

The backbore is newly designed to maximize response, articulation, flexibility and warmth in the tone. It is well-balanced in all registers creating an even response and quick articulation.

Other options

Dan’s personal mouthpiece is converted for sleeves with a #4.5 sleeve, however, it may be ordered with either a standard solid shank or converted for sleeves.

ABOUT DAN ROSENBOOM

Dan Rosenboom is an internationally recognized trumpet player, composer, and producer. He is known as a prolific member of the Los Angeles creative music scene, having released more than 25 albums of original music as a solo artist and bandleader and has supported over 60 artists across nearly 90 releases on his label, Orenda Records. Rosenboom frequently performs in Hollywood Studios for major film and television soundtracks, highlighted by the latest Star Wars trilogy, with such notable composers as John Williams, Danny Elfman, James Newton Howard, Alan Silvestri, and Alexandre Desplat. He has also performed often with such elite ensembles as the LA Philharmonic, the LA Chamber Orchestra, and the LA Opera. His own music eschews genre distinctions and draws from such disparate influences as jazz and Black American Music, metal and experimental rock, contemporary classical music, folk music from around the globe, and a broad range of progressive music from the avant-garde. He studied at the Eastman School of Music, CalArts, and UCLA, where he earned advanced degrees in music. The Los Angeles Times has called Dan Rosenboom “a musician dedicated to exploration and expression, regardless of anyone’s imagined boundaries,” and “a phenomenon.”

As a composer, Rosenboom has been recognized with grants and awards from the American Composers Forum, ASCAP, the Meet the Composer Foundation, and the Yvar Mikhashoff Trust for New Music. As a bandleader, he has brought his music to such renowned stages as the Monterey Jazz Festival, Angel City Jazz Festival, Jazzfestival Saalfelden and Jazz em Agosto. Working closely with LA icon Vinny Golia, and with his own Balkan jazz-rock group PLOTZ!, and improv band DR. MiNT, as well as many other projects, Rosenboom has solidified his place as a pillar in LA’s music community.

Rosenboom’s iconoclastic protest band Burning Ghosts has drawn international attention for their rousing blend of experimental jazz, punk, and metal as response to modern socio-political ills. To date they have released four albums, including one on John Zorn’s legendary Tzadik label, and have toured in the US and Europe. In a review of their self-titled debut, Something Else Reviews dubbed them “the Rage Against the Machine of jazz.”

Rosenboom is an advocate for progressive music education. He currently teaches at UCLA and Pasadena City College, and his own pedagogy book, The Boom Method: Universal Fundamentals for Trumpet and Other Instruments, Vol. 1, was published by Balqhuidder Music in 2019. His writing has also been published in John Zorn’s Arcana IX: Musicians on Music on Tzadik.

Philip Lassiter Trumpet Interview – The Other Side of the Bell #90

Philip Lassiter – Trumpet Interview

Logo for Philip Lassiter podcast episode

Welcome to the show notes for Episode #90 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeter and composer Philip Lassiter.

Listen to or download the episode below:

About Philip Lassiter

photo of trumpeter Philip Lassiter performing on stagePhilip Lassiter is an 11-time Grammy award winning horn/string arranger, and former section leader/arranger of Prince and the New Power Generation. 

Currently based in  L.A., Philip has quickly garnered respect as the go to arranger and trumpet player for iconic artists such as: 

Prince, Kirk Franklin, Ariana Grande,  Timbaland, Roberta Flack, Jill Scott, Rodney Darkchild Jerkins, Hamilton w/ Barack Obama, Cece Winans, Kelly Rowland, Fantasia, Anderson Paak, Yelawolf, Queen Latifa, Al Jarreau, Fred Hammond, The Isley Brothers and more.

At age 6, he unwittingly met his first love – the piano – and began belting out Amazing Grace like no other kid in Mobile, Alabama. Being the son of a preacher – a man “who sweated every ounce until he was red in the face” – Philip learned how to captivate an audience and he’s taken that spirit on his own unique mission ever since. 

A stint in St Louis brought the beauty of big band noise and an ear for improvisation. College in Florida harnessed his gift on the trumpet, provided inroads into Salsa and Merengue, and refined his natural ability as a Jazz Pianist. 

Eight years in Dallas under the wing of some of the most talented musicians and producers in the world. Kirk Franklin, Fred Hammond, Bernard Wright, Bobby Sparks, Snarky Puppy, Erykah Badu, and many others further expanded his notoriety in the gospel and funk industry.

Several more years in Nashville further diversified Lassiter’s musical portfolio. While there, he worked with the legendary producer Tommy Sims and performed in numerous awards shows such as the Dove Awards and The Stellars.

Philip Lassiter Links

Podcast Credits

May the 4th Be With You – Star Wars Trumpet Section Interview

Members of the trumpet section that recorded the soundtracks for Star Wars – Episodes 7, 8 & 9 joined host John Snell for a live question & answer session, including Jon Lewis, Barry Perkins, David Washburn, Daniel Rosenboom, Jim Grinta & Rob Schaer. We covered questions covering what it was like working with composer John Williams, trumpet warm-ups & routines, advice for young players who want to be studio musicians, and so much more.

Steve Dillard Trumpet Interview – The Other Side of the Bell #87

Steve Dillard Trumpet Interview

Welcome to the show notes for Episode #87 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeter and founder of the HornTrader website, Steve Dillard.

Listen to or download the episode below:

About Steve Dillard

HornTrader.com 1st hit the World Wide Web in 1998. Owned and operated by Steve Dillard, the HornTrader Web site was the first of its kind and still the best site to find quality horns, related gear, and information for the discerning trumpeter.

Steve brings extensive professional experience to HornTrader.com. Not only has he spent many years in the trumpet manufacturing industry working with Benge and Calicchio, he is also a very active freelance trumpet player and teacher.

As an apprentice to Dominic Calicchio, Steve learned the fine art of brass craftsmanship with hands on experience. At Benge under Zig Kanstul, Steve had many jobs including slide maker, quality controller and shipper.

Throughout the years, he’s stayed well informed in the industry both through his association with top leaders of brass technology such as Zig Kanstal, Bob Reeves, Schilke, Conn Selmer, CarolBrass and his relationships with highly regarded leaders in trumpet performance like Wayne Bergeron (LA Studios), Boyde Hood (LA Phil) as well as the many fine trumpet players Steve has met around the globe. Steve has always had a penchant for retail and at one time was the largest distributor of Reunion Blues gig bags in Southern California.

Since owning and operating HornTrader.com he has come to be one of the primary sellers of Professional pre-owned and vintage horns on the internet. He is well known in many countries throughout the world and his site is visited by thousands each month.

Steve’s first love has always been playing trumpet. He maintains a busy playing / teaching schedule and has had a professional performance career spanning over 40 years. One of the first to teach on line using SKYPE, and YouTube, Steve has been able spread his knowledge and love of the trumpet the world over. His teaching mantra “I believe I can help YOU,” recorded in January 2012, can be seen on YouTube.

Besides everything trumpet Steve”s passions are marathon open water (OCEAN) swimming, and the daunting task of traing his dog Dingoe. He currently resides in San Diego, California, USA, with his wife and two children where he manages HornTrader.com.  In 2019 Steve Opened his very 1st “Brick & Mortar” Shop.  HT HQ is in the heart of San Diego, is close to all major attractions and forms of public transportation.

Steve Dillard Links

Podcast Credits

Ralph Pyl Trumpet Interview – The Other Side of the Bell #72

Ralph Pyl – Trumpet Interview

Ralph Pyl Podcast Logo

Welcome to the show notes for Episode #72 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeter Ralph Pyl.

Listen to the trumpet podcast right from your browser:

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This podcast is brought to you by Bob Reeves Brass.

About Ralph Pyl

Ralph Pyl commenced trumpet at age 12 on the northern beaches of Sydney Australia beginning his career studying and learning with US trumpet players and mentors John Hoffman and Dick Montz. In 1982 Ralph received a scholarship to study under the direction of Don Burrows at the NSW State Conservatorium of Music and at the age of 18 began a professional career with 3 years of touring with Australia’s renowned Daly Wilson Big Band.

Ralph has performed and recorded with many artists both in Australia and overseas including International stars K.C and the Sunshine Band, Boy George and Culture Club, Shirley Bassey, Ronnie Corbett, The Four Tops, The Temptations, Ralph Carmichael, Buddy Greco, The Platters, Sir George Martin, Tom Jones, Bernadette Peters, Michael Crawford, Wayne Newton, Louie Bellson, Bobby Shew, Joe Williams, Al Jarreau, Tim Rice, Harry Connick Jnr, Glenn Close, Michael Ball, Michael Buble, Lorna Luft, Wayne Bergeron, Jerry Lewis, Michael Feinstein, Frankie Valli, Leo Sayer, Il Divo, Megan Hilty, The Glenn Miller Orchestra and Australian National stars James Morrison, Grace Knight, Don Burrows, Anthony Warlow, Marcia Hines, Frank Bennett, Tommy Tycho, Rhonda Burchmore, Marina Prior, Emma Pask, Silverchair, John Foreman, The Black Sorrows and since 1998 has been lead trumpet with Tom Burlinson’s “Frank – The Sinatra Story in Song”. This show has now been widely regarded as one of Australia’s best ever touring productions. For the 2002, 2003 and 2004 Sydney Festivals, Ralph also assembled an Australian All Star Jazz Orchestra for World renowned US composers and arrangers Maria Schneider, Bob Florence and Rob McConnell from the Boss Brass.

Ralph’s credits have also seen him playing in several stage and theatre productions including 42nd Street, Hot Shoe Shuffle, Porgy and Bess, A Chorus Line, Beauty and the Beast, Guys and Dolls, Cats and Fame just to mention a few. He has also appeared on over 150 albums for vocalists, various bands and numerous Australian and International motion picture sound tracks and TV commercials.

Up until 1998 Ralph had been a member of the Channel Nine Midday Show Band with Geoff Harvey and hosts Ray Martin, Derryn Hinch and Kerri-Anne Kennerley. Other TV show bands include playing with the John Foreman Orchestra on Australian Idol for 7 years.

In June 2002, 2003, 2004 and 2005 the “Sydney All Star Big Band” were the winners of the 27th, 28th, 29th and 30th Australian Mo Award for best jazz ensemble of the year.

Ralph is currently working in Sydney and interstate as a freelance trumpet player involved in a number of different projects. He fronts his own bands the “Sydney All Star Big Band”, “Back to Back” and regularly features in a number of James Morrison’s bands.

Ralph Pyl Trumpet Links

Trumpet Podcast Credits

Peter Olstad Trumpet Interview – The Other Side of the Bell #52

Peter Olstad – Trumpet Interview

Welcome to the show notes for Episode #52 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeter Peter Olstad.

Listen to or download the episode below:

About Peter Olstad

Pete Olstad has toured and performed with Maynard Ferguson, Buddy Rich, Woody Herman, Blood, Sweat and Tears; Mel Torme, Brian Setzer, Tom Jones and Latin pop star Luis Miguel.

Born in Burbank, Calif., Olstad later moved to Evergreen, Colo. He attended Berklee College of Music in Boston, Mass., and the University of Northern Colorado in Greeley. While in college, he received Downbeat Magazine’s “Best Jazz Soloist Award” three years in a row in the college division and, later, was one of five finalists in the Thelonious Monk Institute’s Louis Armstrong Jazz Trumpet Competition in Washington, D.C.

Olstad spent 15 years as a freelance trumpet player in Los Angeles, Calif., and later relocated to New York City for another 10 years, before settling back in Denver, Colorado. Most recently, Pete has made his home in Los Angeles, California and is working on his own album.

Peter Olstad Links

Podcast Credits

Bud Brisbois Trumpet Story

Bob Reeves tells about making a custom mouthpiece for Bud Brisbois:
Bud was a long time friend and customer of mine. I had done some work for him before, including aligning his Holton Bb trumpet #516449, when in 1978 he visited my shop. When I asked Bud what I could do for him he said, “I want you to make a new and improved Bob Reeves’ version of my Herrick mouthpiece.” “You got it!” I replied. He was playing a custom Burt Herrick piece (pictured left) that I had altered the shank on before. It was a completely custom mouthpiece – hand carved rim and cup, short length and a complex backbore. It took me most of the morning and afternoon to get the piece done. I was able to modify the piece from the original to give him a little more sound for less work. I had barely taken it out of the silver-plating tank when he grabbed it out of my hand and started running for the door. “I have a session I have to get to. Thanks for the piece!” Bud said running out of the shop. “Hey, don’t you want to take the old one with you just in case?” I yelled out, chasing after him with his old Burt Herrick piece in my hand. I couldn’t believe he would show up to a studio session with a new, untested piece. “What the hell do I need that old thing for…yours is better isn’t it?” I stood there speechless. The session ended up being one of his best recordings with Henry Mancini. He never came back for his old piece, where it has been sitting in the same drawer for 30 years.