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James Davison Trumpet Interview – The Other Side of the Bell #164

James Davison Trumpet Interview

Welcome to the show notes for Episode #164 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpet performer, band leader and recording artist James Davison.

James Davison had a misconception that trumpeters should only have one mouthpiece, that any professional should be able to do everything with only one, and if you used more you were “cheating.”

It was Chris Deacon in fact who finally asked him one day, in a moment of struggle, “ Why don’t you just try a slightly narrower mouthpiece?”

From there, a whole new world opened up.

Jim was already well on a path to building a career in music, having become enraptured by the trumpet and cornet as a child, playing Dixieland jazz with his father and learning to play by ear, and then studying at the Guildhall School of Music and Drama and the Royal Academy of Music.

But sometimes, we just need a little kick, a new perspective from an outside source, to shift our understanding and mindset.

Since that crossroads, Jim has gone on to become a regular player in the British music scene, from musicals and big bands to studio sessions film soundtracks. Earlier this year, Jim released his long-awaited trumpet & bass collaboration with Misha Mullov-Abbado, “Moon Beans,” a mix of original compositions and collaborative arrangements. And he features on Callum Au’s ambitious new recording of original music, “Sing Seven Seas.”

“If you sing down the horn and you make people smile, and there’s a connection for the audience with your playing, then I think that’s the only thing that really matters.” – James Davison

In fact, Callum Au is also this month’s feature interview on The Trombone Corner podcast, so after you’ve heard Jim’s story, head over to the Corner and hear from Callum as well!

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Kris Tiner Trumpet Interview – The Other Side of the Bell #160

Kris Tiner Trumpet Interview

Welcome to the show notes for Episode #160 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpet educator, improviser and composer Kris Tiner.

How do you turn improvisation into an album, without taking forever to finish? How do you know when it’s ready and complete?

Kris Tiner has been improvising his whole life, in fact, he would point out that we all are:  ”We’re all improvising right now. You get up and walk to the door, and which room do you go into next? That’s an improvisation. What are you going to have for dinner?  You get in your car and you drive down the highway, that’s an improvisation.”

Improvisation is a natural state of being for musicians, just witness when kids pick up an instrument and start exploring.

But as adults (and professional recording musicians), well, time is money, the album’s gotta get released, and you’ve got to decide when to stamp that recording and send it out into the zeitgeist.

Kris shares some of the fascinating mindset of recording improvisational jazz pieces, as reflected on his brand new album, “Sung,” a collaboration with pianist Cathlene Pineda.

We also talk about the experience of providing music education in a small city, not a big urban hub, and the connections and community that can be found therein. Kris teaches trumpet, jazz, composition and improvisation as Professor of Music at Bakersfield College in California, helping students gain access to music and opportunities that they may not receive otherwise.

Of whom one of those students was himself, having embarked on his musical education at CSU Bakersfield in the 1990s. A full circle journey, indeed.

Listen to or download the episode below:

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